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The hardest thing of all to explain is that death's nearness in some mysterious way makes what is being left behind--I mean our earth itself, its shapes and smells and colours and creatures, all that one has known and loved and lived with--the more entrancing; as the end of a bright June day somehow encapsulates all the beauty of the daylight hours now drawing to a close; or as the last notes of a Beethoven symphony manage to convey the splendour of the whole piece. Checking out of St Theresa of Avila's second-class hotel, as the revolving doors take one into the street outside, one casts a backward look at the old place, overcome with affection for it, almost to the point of tears.
So, like a prisoner awaiting his release, like a schoolboy when the end of term is near, like a migrant bird ready to fly south, like a patient in a hospital anxiously scanning the doctor's face to see whether a discharge may be expected, I long to be gone. Extricating myself from the flesh I have too long inhabited, hearing the key turn in the lock of Time so that the great doors of Eternity swing open, disengaging my tired mind from its interminable conundrums and my tired ego from its wearisome insistencies. Such is the prospect of death.
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